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“Where Donald J. Trump has been Jumping the Shark”, poetry, online, in Merryn Williams and Rip Bulkeley, eds., What Rough Beast: Poems on Trump and Trumpism , 2024, (Newcastle, UK, Culture Matters), p. 35, (originally published online at The Five-Two, 2023; read by Gerald So, online).
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"[he lit out of Waco & deleted his history]", poetry, online, in Merryn Williams and Rip Bulkeley, eds., What Rough Beast: Poems on Trump and Trumpism , 2024, (Newcastle, UK, Culture Matters), p. 26.
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“[they told the San Andreas that it wasn’t its fault]”, “[the Hamburglar riding hard out of Dodge on a My Little Pony]”, “[super bowl deniers profiled at Quantico]”, “[Malcolm X marking the spot at the left turn to Albuquerque]”, “[hot takes on the Wikipedia page of notable Ewoks]”, “[I got a bad case of hard-boiled from Michelle Monaghan]”, “[Maria knocked up by Luis at an inconvenience store]”, poetry, online, in #RANGER, 5, 2024.
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“Three American Geegaws: [Lazy Susans dispensing teacup poodles for Maria Callas], [in a grand mal seizure induced by some Karens at Walmart], [Amy Adams travelled into the future for a Chinese cell number]”, poetry, online, in Unlikely Stories Mark V, 2022.
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“The Amityville Horrors”, poetry, online, in The Bridge, 2022, (originally published in Kim Donaldson, D.A. Theobald and Clay Thistleton, eds., Ebb and Flourish: An Anthology of Writings from the Inaugural Flourish Australia Clay Thistleton’s Creative Writing: Introduction Course, [Bega, Donaldson Theobald Thistleton with the assistance of Flourish Australia], 2016, pp. 6-15).
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“Slutshaming the Little Grays: Unnamed Grandmother”, poetry, in LandLocked, 4, (1), 2022, Winter, pp. 10-15, also online.
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“In Full View of the Shapes (,) of the Others: Jose Inacio Alvaro”, poetry, in LandLocked, 4, (1), 2022, Winter, p. 16, also online.
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“None of the Above: Antonio Villas-Boas”, poetry, in LandLocked, 4, (1), 2022, Winter, pp. 17-18, also online.
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A (Sixth) Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“At Morrison's Sh1tshow in Engadine Maccas” / “The Morrison Government is Not in a Race” / “Gladys is Binge-watching The Walking Dead”), poetry, in Social Alternatives, 40, (4), 2021, December, p. 47.
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A (Seventh) Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“The Berejiklian Government is Infectious in the Community” / “Scomo and Gladys are Living with COVID” / “Scotty from Marketing is not Fit-for-purpose”), poetry, in Otoliths, 63, (1), 2021, November, pp. 229-231, also online.
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A (Third) Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“The Trump Administration is a Superspreader” / “The Trump Administration Operates a Take-away Model” / “The Coronaphobias of the Maskhole-in-Chief”), poetry, online, in Unlikely Stories Mark V, 2021.
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“A Triangular-Shaped Laser-Hole Leg Injury: Jesse Long”, poetry, online, in The Unorthodocs, 2021.
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“Read as Agency: Fifteen-Year-Old Girl & Old Human Guy”, poetry, online, in The Unorthodocs, 2021.
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A (Fourth) Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“The Trump Administration Hangs Rotten on the Vine” / “The Trump Administration has Windmill Noise Cancer” / “The Berejiklian Government Hoist by its own Petard”), poetry, online, in Oddball Magazine, 2021.
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A(nother) Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“The Trump Administration is Coronalusional” / “The Morrison Government is Pre-Palliative” / “The Trump Administration is Immuno-Suppressed”), poetry, online, in Poetry and Covid, 2020.
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“Is Glasgow the Ghost Capital of Scotland?”, article, in Paranormal Review: The Magazine of the Society for Psychical Research, 95, [Autumn 2020], pp. 20-21.
“The Ars-en-Dombes Poltergeist: The Haunting of Jean-Marie-Baptiste Vianney, the Curé d’Ars”, poetry, read by Graham Farram, produced by Indi Wood, online, in “The Local Update Episode 32”, Indi Media, 2020.
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“A Love Song in Binary”, poetry, online, in The Bridge, 2020, (originally published in Social Alternatives, 19, [2], p. 61, {April 2000}).
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“Terror of Fred Valentich: Invisible Ufonaut & Unnamed Young Female Chemist”, poetry, in Red Focks, ed., The Alien Buddha’s House of Horrors #3, (Coppell, TX, Alien Buddha Press), 2020, p. 41.
“The Local Update Episode 22”, interview (with Kim Falkenmire) by Indi Wood, online, in Indi Media, 2020.
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A Triptych of Poems in the Manner of Tom Jenks’ “Spruce” During the Time of the Coronavirus Pandemic (“The Trump Administration as a False Positive” / “Donald J. Trump is the King of all Ventilators” / “The Trump Administration is Asymptomatic”), poetry, online, in Infection House, 2020, (reprinted in Kim Falkenmire and Roz Kirby, eds., Seeing Nothing Beyond the Immediate [Bega, La Terzina del Diavolo in association with Clay Thistleton & Associates, 2020, online]; reprinted online, in The Bridge, 2020; reprinted online, in The Broken City, 27, {“I Know What You Did Last Pandemic” issue}, p. 6, {Winter 2020}).
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“unhappily this”, in Delaney Watson, Lillie Harwood Delott, Tim Mattimoe, JeanMarie Olivieri and Doug Stuber, eds., Poems from the Heron Clan, VII, (Chapel Hill, NC, Katherine James Books), 2020, p. 155 (originally published in Hobo, 22, [September 1999]).
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“A Decorative Piped-Lettering Croquembouche: Ernesto Caban”, in Heath Brougher, ed., Concrete Mist Press Anthology, (York, PA, Concrete Mist Press), 2020, p. 36.
“Prologue (to Never Mind the Saucers)”, in Heath Brougher, ed., Concrete Mist Press Anthology, (York, PA, Concrete Mist Press), 2020, p. 35.
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“AG-3 Swan - Princess - : Jane Murphy”, poetry, online​, in A Neon Garden, 6, 2020.
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“Desperately Seeking Reptoid: Pamela Hamilton (aka Pamela Brothress)”, poetry, online​, in A Neon Garden, 6, 2020.
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“Lasered from Breakfast to Anus: ‘Colin Regan’”, poetry, online​, in A Neon Garden, 6, 2020.
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“Reverse Bald Cowgirl: Ulrich Unnamed”, poetry, online​, in A Neon Garden, 6, 2020.
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“‘Skin Bilong Kok’: Tara Green (Part One)”, poetry, online, in A Neon Garden, 6, 2020.
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“An Asemic Sonnet in Sinhalese: Writer Profile with Clay Thistleton”, interview, online, in PoetsIN, 2019.
“Wombwell Rainbow Interviews: Clay Thistleton”, interview, online, in The Wombwell Rainbow, 2019.
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“Extract of an Index Card Featuring a Passage from Whitley Strieber’s Communion (1987) with Annotations by an Unknown Hand”, poetry, online, in Zoomoozophone Review, 17, 2019.
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“His Retina Bruised by the Heaving: Meng Zhaoguo”, poetry, online, in Dispatches from the Poetry Wars, 2019.
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““I Already Talked to the Indignation Coordinator”: ‘Young Woman’ & ‘Unconscious Man’”, poetry, online, in Dispatches from the Poetry Wars, 2019.
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“Yip, Yip, Yip, Yip, Ah-ha: Stephany Fay Cohen”, poetry, online, in Dispatches from the Poetry Wars, 2019.
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“No Comment (1994)”, poetry, online, in Defuncted, 2019, (originally published in Muse, 199, p. 19, [September 2000]).
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“untitled [and it came to pass]”, poetry, online, in Defuncted, 2019, (originally published in Narcissus, 9, p. 23, [1994]).
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“The Bottom Inspectors”, poetry, online, in Defuncted, 2019, (originally published in Narcissus, 10, p. 7, [1994]).
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““Kobayashi Maru”-type Situations: ‘Andrea (Un-Dworkin)’”, poetry, online, in indicia, 3.1, 2019.
“Eyes that Seemed to Give Off Light Rays: Marlene Travers”, poetry, online, in Word For/Word, 32, 2018.
“Rogue Dentists: Rene Barrios”, poetry, online, in Word For/Word, 32, 2018.
“She Had a Slit: Ted Johnson”, poetry, online, in Word For/Word, 32, 2018.
“The Cabin with a Hot Vox: Shane Kurz”, poetry, online, in Word For/Word, 32, 2018.
“A Professional Bi: Ken Rogers”, poetry, online, in X-Peri, 2018.
“Exegetical Electroejaculate: Will Parker”, poetry, online, in X-Peri, 2018.
“Classified (Grays in Red Uniforms): Fred ‘Asemic’”, poetry, online, in Tentacular, 2, 2018.
“Anemones around their Genitalia: Liberato Anibal Quintero”, poetry, online, in Brave New Word Magazine, 10, 2018.
“‘Entering the Mutara Nebula’: ‘Ed Duvall’”, poetry, online, in The Curly Mind, 8, 2018.
“Hypnagogic Inter-Dimensional Portal Blues: A (Female) Mental Creature”, poetry, online, in MUSH/MUM, 5, 2018.
“Fanged (Two Syl.) Maw: Peter Khoury”, poetry, in Otoliths, 48, (2), 2018, March, pp. 116-126, also online.
“A (Tran-)Script for Voices: The Allagash Abductions”, poetry, in Angry Old Man Magazine, 2, (2), 2018, January, pp. 29-35, also online.
“Oily, Black Plasma: ‘Susan [Name Withheld]’”, poetry, online, in Poetry WTF?!, 2017.
“Copyrighted Material: Claudette Cranshaw”, poetry, online, in Poetry WTF?!, 2017.
“PowerPoint Presentation: The David Huggins Case”, poetry, online, in strange POE try, 2017.
“‘Exchanging Long Protein Strings’: Monica Maria Ortega”, poetry, online, in strange POE try, 2017.
“Red Herring Leather Boots: ‘Gabriella Versacci’”, poetry, online, in Unlikely Stories Mark V, 2017.
“Esther Cox and the Great Amherst Mystery”, poetry, in untethered, 3.2, 2017, March, pp. 93-97.
“The Shawville Poltergeist”, poetry, in untethered, 3.2, 2017, March, pp. 98-99.
“Some Electronic Voice and Other Phenomena of the Wellington (Washington State) Avalanche Disaster”, poetry, online, in Unlikely Stories Mark V, 2017.
“A Poltergeist that used Facebook”, poetry, online, in Shuf, 7, 2016.
“Charles Fort's Poltergeist Girls”, poetry, online, in Unlikely Stories Mark V, 2016.